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________________________________________________________________________________________________________________________________________________________________________ ![]() ________________________________________________________________________________________________________________________________________________________________________ YOU'VE BEEN VERY BUSY LATELY. YOU WERE JUST IN JAPAN. CAN YOU SHARE WITH ME YOUR LATEST PRE-OCCUPATION? At the moment I’m working on a jeans collection. My focus has been mainly directed toward different washes and weaves. I’ve always considered Japan and their denim manufacturing as the primary frontiers in the denim area. So, a while back, I made up my mind to produce my denim in Japan. It’s been such joy to work along with very skilled people- regardless of the tiresome flight durations- going back and forth from to Tokyo. SOUNDS
LIKE YOU HAVE A PRETTY SUBSTANTIAL AGENDA. YOUR WORK
HAS A VERY STARK INTRIGUE ABOUT IT AND IS SEEN IN THE WAY YOU USE TEXT
AND LINEAR SHAPES. WHAT HAVE BEEN SOME OF THE INFLUENCES THAT ENCOURAGE
YOU TO CREATE YOUR WORK? PLEASE
EXPLAIN THE IDEA BEHIND "REBORN"? THE LATER
ONE. THE ARTIST
BARBARA KRUGER, FOR EXAMPLE USED TEXT, WHERE SHE'D UTILIZE WORDS AS
PROGAGANDA IN THE WAY MOST MODERN ADVERTISING HAS EVOLVED TOWARDS. IS
WHAT YOU DO SOMETHING SIMILAR TO TO THIS CONCEPT OR DO YOU SEE IT QUITE
DIFFERENTLY? HOW DO YOU FEEL TO KNOW THAT THE WORK YOU'RE INVOLVED WITH
TODAY MAY EVOLVE TOWARDS SOME MASSIVELY ACCEPTANCE IN THE FUTURE? OR
DOES THIS NOT CONCERN YOU AS MUCH? IN DAVID
LINDWALL'S WORLD, FASHION SEEMS SEGMENTED BETWEEN THE NORMAL AND ABNORMAL.
WHAT ABOUT THE PARANORMAL? ARE THERE VARIOUS REAMS TO YOUR PHILOSOPHY? WHAT ROLE
DOES MYSTICISM AND MYTHOLOGY PLAY IN YOUR DESIGN AND HOW DO YOU MAINTAIN
A BALANCE BETWEEN MODERN MACABRE WITHOUTH TRENDING AS KITSCH? |
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NAME AND OCCUPATION: David Lindwall, mastermind and creator WHEN DID YOU MOVE TO NEW YORK? I've lived here on and off for years. The first time I came here was when I turned 21, and I always known that this was a place I'd come back to. I moved permanantly to Brooklyn last year. NEW YORK HAS CHANGED A LOT OVER RECENT YEARS. WHAT DO YOU MISS MOST ABOUT 'OLD' NEW YORK? There's a drive in New York that I haven't found in any other city. There is a want in everyone's eyes for something better, and here people help each other to reach their potential rather than beating each other down. It's like a pack of rats - instead of a fighting-over-the-breadcrums-one-the-table attitude, it's more like a hey-guys-if-we-work-together-we-can-use-the-oven-and-make-a-whole-new-loaf-of-bread-and-we'll-all-have-more-bread-than-we-can-eat kind of thing. CURRENT PROJECTS? Right now I'm working on a collaboration with DSM Market (Comme des Garcons) in London that I'm very exhited about. I also did and exhibition of my stuff at Somerset House during London Fashionweek. I'm also doing a collaboration in Japan and, of course, I'm working on my new collection together with two big-ass heavy art pieces. Take a look at www.davidlindwall.com ________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________________________________
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